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Dwarbbit

The Tumblr of a man with the heart and liver of a dwarf, but the refinery and sentiments of a hobbit. I do what I want and want what I do!

tamorapierce:

aliasofwestgate:

justira:

Reblogging not just because special effects are cool but because body doubles, stunt doubles, acting doubles, talent doubles — all the people whose faces we’re not supposed to see but whose bodies make movies and tv shows possible — these people need and deserve more recognition. We see their bodies onscreen, delight in the shape and motion of those bodies, but even as we pick apart everything else that goes on both on and behind the screen, I just don’t see the people who are those bodies getting the love and recognition they deserve.

We’re coming to love and recognize actors who work in full-body makeup/costumes, such as Andy Serkis, or actors whose entire performances, or large chunks thereof, are motion captured or digitized (lately sometimes also Andy Serkis!). But people like Leander Deeny play an enormous part in making characters such as Steve Rogers come to life, too. Body language is a huge part of a performance and of characterization. For characters/series with a lot of action, a stunt person can have a huge influence on how we read and interpret a character, such as the influence Heidi Moneymaker has had on the style and choreography of Black Widow’s signature fighting style. Talent doubles breathe believability and discipline-specific nuance into demanding storylines.

Actors are creative people themselves, and incredibly important in building the characters we see onscreen. But if we agree that they’re more than dancing monkeys who just do whatever the directors/writers say, then we have to agree that doubles are more than that, too. Doubles make creative decisions too, and often form strong, mutually supportive relationship with actors.

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Image 1: “I would like to thank Kathryn Alexandre, the most generous actor I’ve ever worked opposite.”

Image 2: “Kathryn who’s playing my double who’s incredible.”

[ Orphan Black's Tatiana Maslany on her acting double, Kathryn Alexandre, two images from a set on themarysue, via lifeofkj ]

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I’ve got a relationship that goes back many, many years with Dave. And I would hate for people to just see that image of me and Dave and go, “oh, there’s Dan Radcliffe with a person in a wheelchair.” Because I would never even for a moment want them to assume that Dave was anything except for an incredibly important person in my life.

[ Daniel Radcliffe talking about David Holmes, his stunt double for 2001-2009, who was paralysed while working on the Harry Potter films. David Holmes relates his story here. Gifset via smeagoled ]

With modern tv- and film-making techniques, many characters are composite creations. The characters we see onscreen or onstage have always been team efforts, with writers, directors, makeup artists, costume designers, special effects artists, production designers, and many other people all contributing to how a character is ultimately realized in front of us. Many different techniques go into something like the creation of Skinny Steve — he’s no more all Leander Deeny than he is all Chris Evans.

But as fandom dissects the anatomy of scenes in ever-increasing detail to get at microexpressions and the minutiae of body language, let’s recognize the anatomy in the scenes, too. I don’t mean to take away from the work Chris Evans or any other actors do (he is an amazing Steve Rogers and I love him tons), but fandom needs to do better in recognizing the bodies, the other people, who make up the characters we love and some of our very favourite shots of them. Chris Evans has an amazing body, but so does Leander Deeny — that body is beautiful; that body mimicked Chris Evans’s motions with amazing, skilled precision; that body moved Steve Rogers with emotion and grace and character.

Fandom should do better than productions and creators who fail to be transparent about the doubles in their productions. On the screen, suspension of disbelief is key and the goal is to make all the effort that went into the production vanish and leave only the product itself behind. But when the film is over and the episode ends, let’s remember everyone who helped make that happen.

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[ Sam Hargrave (stunt double for Chris Evans) and James Young (stunt double for Sebastian Stan, and fight choreographer), seen from behind, exchange a fistbump while in costume on the set of Captain America: The Winter Soldier. Image via lifeofkj ]

I applaud these guys as much as the suit actors in my japanese tokusatsu shows. They do just as much work. 

Hat’s off to them, and my thanks for all they do.

(Source: stark-industries-rnd, via flatbear)

Anonymous said: I'm 14& my bf is 26 & we had sex and ever since we did it he's been really distant and rude and keeps presurring me to do it again even though I don't wanna...how do it talk to him about it?

thatbadadvice:

Readers won’t stop sending the Bad Advisor their real-ass questions to answer, so the Bad Advisor is periodically going to try her hand at answering them.

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Your 26-year-old boyfriend is a gross creeper who needs to get his shit together and date people his own age when and if he gets out of the prison he should be in. I know it probably seems to cool to have his attention now, but when you’re older please please don’t stop listening just because I said “when you’re older” because this is a real thing it will seem immature at best and, more likely, predatory.

Look, you may or may not already know or care about this, but Bad Advisor needs you to hear it: if you are an American person: when 26-year-olds have sex with 14-year-olds, that is not generally considered to be “sex” but rather a creepy crime called “statutory rape" almost everywhere in the country, if not absolutely everywhere in the country. Bad Advisor can’t speak to the technical terms that might or might not be used elsewhere in the world, but Bad Advisor bets shit is illegal there too. Bad Advisor isn’t saying this to scare you, but to illustrate the gravity of the situation: people have made laws to protect teenagers like you from people like your boyfriend.

But aside from the fact that this dude is way the fuck too old for you once again please do not stop reading, this is not about the fact that you’re 14 it’s about the fact that he’s twenty fucking six years old here’s what:

"he’s been really distant and rude and keeps presurring me to do it again even though I don’t wanna"

is, hands down, a REALLY FUCKING GOOD REASON TO DUMP LITERALLY ANYONE’S SHITTY ASS, BUT ESPECIALLY AND SPECIFICALLY YOUR BOYFRIEND’S SHITTY ASS.

Good, healthy relationships do not EVER UNDER ANY CIRCUMSTANCES include “pressuring” anyone to do literally anything they do not want to do. Good, healthy relationships do not EVER UNDER ANY CIRCUMSTANCES include tap-dancing around the feelings of someone who is “distant and rude” because when that happens, the “distant and rude” person is putting you on the train to Emotional Abuseville and you will not enjoy being on that train and it is a hard-ass train to get off of and the view sucks and there’s not even a shitty food cart and it’ll be hot and un-airconditioned in the summer and fucking freezing with no heat in the winter time. 

You never ever ever ever ever ever ever ever have to have sex—or do anything with your body or anyone else’s body—if you do not want to. Nothing you can ever do or say obligates you to have sex with someone else. Sex is not a deal, a prize or a transaction, it is something enthusiastically consenting humans do with other age-appropriate enthusiastically consenting humans.

What the Bad Advisor would love for you to do are three things:

  1. Join up at some online communities for teenagers where it’s safe to talk and read about sex, healthy relationships and other fun shit to do that is not worry about the 26-year-old grown-ass man you are about to kick to the curb. You might like Scarleteen, Sparklife, or gURL.
  2. Consider talking to a trustworthy adult about your relationship with this man, bearing in mind that some adults (like teachers, counselors, or doctors) may be required to report what you tell them about this man to the proper authorities, again, not because you are a bad person but because what he is doing to/with you is not only gross and inappropriate, but illegal. (EDITED TO ADD: Anon, this means your boyfriend gets in legal trouble, not you! You have not done anything wrong. You are fine and you deserve better.)
  3. Send one piece of communication to your boyfriend telling him that your relationship is over, and that you will no longer be seeing him, talking to him or communicating with him in any way, and block him in every way possible and stick to it forever. If he continues to pursue or harass you, or attempts to contact your friends or family, or shows up at places he knows you’re going to be, document everything he does (writing it down in a notebook will work just fine) and tell a trustworthy adult (youth director? teacher? coach? theatre club sponsor?) or, if you feel comfortable, the police directly.

tl;dr: DUMP THIS FOOL IMMEDIATELY AND NEVER TALK TO HIM AGAIN EVER

rosalarian:

Gonna keep a tally of messages I get from a) white feminists completely proving my point and b) people who think this comic proves feminism is worthless because I criticized one part of it. (Even despite me writing these words underneath the comic.) Then I’ll add them all up, see which column has more, and then drink myself to sleep either way.
Haha… this is why we can’t have nice things.

rosalarian:

Gonna keep a tally of messages I get from a) white feminists completely proving my point and b) people who think this comic proves feminism is worthless because I criticized one part of it. (Even despite me writing these words underneath the comic.) Then I’ll add them all up, see which column has more, and then drink myself to sleep either way.

Haha… this is why we can’t have nice things.

(via dirtyriver)

my-ear-trumpet:

jacquez45:

Myrna Loy knows where it’s at. 

George Carey: You be careful, madam, or you’ll turn my pretty head with your flattery. Kay Wilson: I often wished I could turn your head - on a spit, over a slow fire.From I Love You Again (1940)

my-ear-trumpet:

jacquez45:

Myrna Loy knows where it’s at. 

George Carey: You be careful, madam, or you’ll turn my pretty head with your flattery.
Kay Wilson: I often wished I could turn your head - on a spit, over a slow fire.
From I Love You Again (1940)

(Source: dianapowell, via dirtyriver)

I heard my baby wailing and asked one of the officers to let me hold him. He screamed at me to sit down and shut up and blocked my view, so I couldn’t see my son. I could see a singed crib. And I could see a pool of blood. The officers yelled at me to calm down and told me my son was fine, that he’d just lost a tooth. It was only hours later when they finally let us drive to the hospital that we found out Bou Bou was in the intensive burn unit and that he’d been placed into a medically induced coma.

SWAT teams are out of control. 

The militarization of the police in America is a bigger and more direct threat to our freedom and way of life than any terrorist plot that may exist in some foreign country.

(via wilwheaton)

(Source: salon, via krystallynsolid)

mad-shadow:

My first attempt at one of my favorite characters from one of my new favorite comics books. I tried Ripley from Lumberjanes, which if you haven’t read it yet do it

mad-shadow:

My first attempt at one of my favorite characters from one of my new favorite comics books. I tried Ripley from Lumberjanes, which if you haven’t read it yet do it

egobus:

July on Tumblr

(via mrsmonarch)

You know how I’m gonna deal?

(Source: deanwinchesterdaily, via krystallynsolid)